Spain’s rich heritage and innovative spirit indisputably make it a great power in the global design and art worlds. TDRI has specially invited the renowned design team OdosDesign from Valencia, Spain, along with co-founder Ana Segovia, to curate six themed exhibitions, intertwining them to portray the essence and spirit of contemporary Spanish design.

Helmed by the rising exhibition curator Atelier SUPERB, this year’s exhibition, titled Multidimensional Hyperplasia, promises an immersive spatial experience featuring more than a hundred award-winning works. The exhibition will run until March 17, 2024 at the Taiwan Design Museum.

This exhibition centered around Eisuke Tachikawa’s advocacy of “Evolutionary Thinking,” explores the past, present, future, and the global “ecosystem” with various attempts made by NOSIGNER over the past decade, to find the most suitable positioning for various projects and propose visions for the future.

It’s an exhibition that spans across technology, culture, and innovation, providing a platform for visitors to contemplate and envision the future. Whether you are a technology enthusiast, an artist, or simply someone curious about future developments, you will find inspiration and enjoyment in this exhibition.

This year’s exhibition features hundreds of entries that were selected as winners of this year’s Golden Pin Design Award under the theme of “Thumb-Stopping Creative”, which is spontaneously designed with visual effects by Serendipity Studio, to showcase an exciting integration of diverse creativity in a richly futuristic exhibition space.

This year’s exhibition features the nearly 200 entries that were selected as winners of this year’s Golden Pin Design Award and Golden Pin Concept Award under the theme of “UPLOAD”, and also integrates immersive exhibition space and interactive experience to encourage audiences to share and exchange their design imaginations.

From 28th September 2021 to 6th March 2022, TDRI launches the Swiss MAX-Swiss Design Exhibition. The exhibition is curated based on the unit of “hundred”, including 100 designers, 100 product designs, 100 posters, 100 books, etc. A large number of exhibits lead the audience to explore the 100 years of aesthetics and design history of Switzerland.

This exhibition is a response to contemporary life. In times when malls have become the main location for purchasing furniture, this exhibition hopes to become a starting point of re-organizing the history of Taiwan design, and that the genuine passion for creativity can leave imprints in the future.